Best Quotes From Movies About Life

QuotesGram | Famous film quotes . 20 Inspiring Movie Quotes On Love, Life, Relationship, And Friends. A promise is made. | Nicholas sparks movies quotes, Best film . Best Movie Quotes About Life Quotes about Life. 20 Inspiring Movie Quotes On Love, Life, Relationship, And Friends . Best Quotes About Life And Love From Movies - QuotesTa.Life quotes: the most well-known and galvanizing quotes from Life. The best movie quotes, movie strains and picture words by means of Movie Quotes .com50 most renowned film quotes of all time. Menu. If Oz is the movie with the easiest choice of well-known quotes, Dirty Harry could also be the character with probably the most. A dropout from upper-class America picks up paintings alongside the way on oil rigs when his life isn't spent in a squalid succession of bars, accommodations, and other attractions.This inspirational movie quote about success was said via Dumbledore emphasizing mainly on the possible choices we make in life as an alternative of cursing the skills to do something. Harry Potter is a film full of inspirational quotes about life. Oh sure, the past can harm. But you'll be able to both run from it or learn from it - The Lion KingFrom life courses that undergo repeating to meme-ified traces that have develop into a part of our cultural lexicon, those hilarious film one-liners are sure to crack you up. And when you want to provoke your pals with your movie knowledge, check out those 30 Movie Facts That Will Blow Your Mind. 1 "She doesn't even go here!"

Life Quotes, Movie quotes - Movie Quotes .com

These are the 50 best 'It's a Wonderful Life' quotes to get you in the vacation spirit. These film quotes from 'It's a Wonderful Life' will encourage you.Here are the best, most romantic quotes from movies all over history, together with 'When Harry Met Sally,' 'Notting Hill,' 'The Notebook,' and extra50 Of The Best Life Quotes From Disney Movies Start your time off the precise method with some nostalgia and heartwarming inspiration, with these 50 best quotes from your favourite Disney Movies. *The wallpapers are downloadable, use them as your screensaver to encourage you on a regular basis.The best life recommendation from movies. The 'Hybrid Model' Of Working Remotely And In The Office Could Create Big Expenses For Companies And Give Rise To Two Classes Of Employees

Life Quotes, Movie quotes - Movie Quotes .com

50 most famous movie quotes of all time - IMDb

And many famous quotes have originated from movies. Whether you're a film buff or experience staring at the occasional movie on Netflix, memorable movie phrases have most likely made their method into your on a regular basis vocabulary, presentations, or water cooler communicate. Check out the film quotes underneath and check your memory to peer how many you be mindful. FamousMovie Quotes 53 10 Things I Hate About You 1 alice in wonderland 1 Argo 1 best movie quotes 37 best film quotes about life and love 3 best quotes 29 Black Swan 1 Bride Wars 1 famous film lines 29 famous movie quotes 31 Forrest Gump 1 Gladiator 1 hollywood film quotes 2 inspirational movie quotes 26 inspirational film quotes for work 325 Love Quotes from Movies That Will Inspire You. 20 All-Time Best Entrepreneur Books to Make Your Business Successful. This Is Why The Rich Look Poor. 20 Amazing Novels You Should Read Before You Watch The Movies Based on Them. 7 Effective Ways to Get Amazing SleepDiscover and percentage Best Movie Quotes Life. Explore our number of motivational and famous quotes via authors you realize and love.Though Thompson stays best known for Fear and Loathing in Las Vegas, Gonzo concentrates on his coverage of the 1968 and '72 presidential elections. The creator used to be specifically excited about George McGovern, and chose advocacy over non-partisan reporting.

Best Movie Quotes of the 21st Century: Famous & Memorable Movie Quotes


"Are you not entertained?!"

"Here's looking at you, kid." "Open the pod bay doors, please, Hal." "I have a feeling we're not in Kansas anymore." The historical past of cinema is plagued by traces of debate that transcend context, but for the most part, what are thought to be the Great Movie Quotes are vintage in nature. AFI's 100 Years...100 Quotes remains the bible, reminding us that, sure, "Frankly, my dear, I don't give a damn" is pretty significant.

These days, one approach to mark a movie's cultural affect is whether a part of the script has gone viral. The "sunken place" is not only a dream state the place an evil white psychiatrist traps her daughter's black boyfriend, it is a metaphor for race in America. "She doesn't even go here" is an easy approach to vent your frustration with an interloper. "My wife" is, neatly, "MAH WIFE."

We right here at Thrillist Entertainment have made an effort to canonize the movie quotes of the fashionable era, starting with the 12 months 2000 and working thru nowadays. Our process was once highly unscientific. We concept (and fought) via what moments had lodged themselves into our brains and stuck there. Not every access on this checklist has turn out to be a meme, despite the fact that some surely earn their spots on account of that. Others we incorporated just because they astonished us somehow: the easiest punchline, the gut-dropping reveal, the brilliantly written axioms. Some are so foolish now we have evolved a deep affection for them. (Ever pay attention the single about sand from Star Wars?) All of those One hundred selections have made us cry, snort, or nod in cohesion, and so they ceaselessly pop unbidden into our heads.

Before we get to the checklist, we have to acknowledge our inherent boundaries. We're an American site with English-speaking readers, writers, and editors. There is a nearly countless quantity of superb filmmaking and screenwriting taking place all over the world, from Mexico to South Korea and all over in between, so imagine "greatest" as changed with "mostly American, English-speaking, Western cinema." And one procedural be aware: We determined to restrict any given movie (including particular person movies of a franchise) to at least one quote most. So whilst we probably could have stuffed this listing totally with strains from Mean Girls and Anchorman, we had to make some difficult alternatives.

Universal Pictures

100. "I don't have friends. I got family."

Furious 7 (2015)It's the single line from the Fast & Furious franchise that everyone knows, the only theme that will get hammered house over and over again in in all probability our best ongoing action film sequence. When some ignoramus asks you if all the F&F movies are about is driving rapid and kissing chicks, you may snap, "NO, it's about FAMILY." Family, given a couple of new heartbreaking layers in Furious 7 after Paul Walker's death, is what holds Dominic Torretto and his team collectively: It's the nitrous-oxide within the tank that fuels their permanent bond (it is usually a tad ironic, given the entire drama that is transpired among the movies' stars in a sequence of petty Instagram posts). As the sequence evolved, its characters matured, reworking a brotherhood between buddies into anything a lot deeper. (Watch) 

99. "Ogres are like onions."

Shrek (2001)Hell yeah, Shrek made it onto this listing. Despite its sluggish decline into the maw of web depravity, the first Shrek used to be a genuine giant deal for DreamWorks Animation as its 5th production and highest-grossing to that point. (It was usurped by means of Shrek 2, which some other DWA movie has but to height.) Believe it or no longer, Shrek premiered at Cannes in 2001, the place it competed for the prestigious Palme d'Or along Baz Luhrmann's Moulin Rouge and David Lynch's Mulholland Drive. Insane, proper?! Anyway, Shrek: In 2019, the animation looks terrifyingly deranged -- no one needs to see each pore of a fleshy inexperienced ogre -- but Mike Myers, bless his coronary heart, provides a laudable vocal functionality in a Scottish accent for Ninety minutes, taking on for the departed Chris Farley, who used to be in the beginning going to be Shrek. The "ogres are like onions" scene in reality is funnier than you almost certainly consider, with Eddie Murphy and Myers' cheeky tête-à-tête, definitely instructing children (and almost certainly adults, too) a handy metaphor for social penetration theory. Now, please kill me!!! (Watch)

98. "You're my boy, Blue!"

Old School (2003)If you took place to wait faculty in the years between 2003 and, oh, 2019, you might have heard your fair proportion of Old School quotes. Despite how demanding it was to listen to an never-ending movement of pastel-polo-wearing guys shouting, "We're going streaking!" and, "I'll do one!" and, "Once it hits your lips it's so good!" amongst others, that ubiquity is the definition of affect and longevity. Among a number of memorable lines, it's Will Ferrell's unhinged "You're my boy, Blue!" that best captures the nonsensical, uninhibited joy that can solely be expressed by means of 30-something white guys in America. Blue (Patrick Cranshaw), of course, is the octogenarian keen to matter himself to excessive hazing simply to get into the post-grad fraternity on the heart of the movie, and Ferrell's Frank the Tank utters his infamous line two times, rather reconstructed: The first, "Blue, you're my boy," comes when the frat founders make initiates drop from a rooftop cinderblocks connected by a long string to their penises. The 2d, more absurd supply comes at Blue's funeral (spoiler!), where Frank ends an unfortunate model of Kansas' "Dust in the Wind" with the words, "You're my boy, Blue! You're my boy." It's a line out of nowhere, a nonsequitur that embodies the spirit of the days, when everything gave the impression to come out of nowhere, and the rest of us may just solely move alongside for the experience. (Watch)

97. "Dude, where's my car?"

Dude, Where's My Car? (2000)Dude, Where's My Car? is a dumb, dumb, dumb movie that came about to grip the zeitgeist with its dumbness. Even when you hadn't observed the movie -- directed through Danny Leiner (Harold & Kumar Go to White Castle) about two dudes, Jesse (an early career Ashton Kutcher) and Chester (Seann William Scott in his heyday), piecing collectively the loopy blackout night time they'd -- you have been most probably quoting THE line, as a result of fucking everyone used to be: "Dude, where's my car?" "Where's your car, dude?" Wash, rinse, repeat. That's the early 2000s for you. (Watch) 

96. "You have bewitched me, body and soul."

Pride and Prejudice (2005)Before he achieved prestige-TV immortality along with his role because the sweetly conniving doofus Tom Wamsgans on HBO's money-obsessed drama Succession, actor Matthew Macfadyen was once most likely best known for his flip because the charmingly aloof heartthrob Mr. Darcy in Joe Wright's fog-drenched adaptation of Pride and Prejudice. Competing with Colin Firth's beloved take at the character was once no easy task, however Macfadyen makes essentially the most of his ultimate declaration of affection, which Wright shoots like a luxurious fragrance ad. As he works up the braveness to inform Keira Knightley's Elizabeth Bennett how he actually feels, the phrases "you have bewitched me, body and soul" come tumbling out of his mouth. Though it could sound like the perfect swoon-worthy literary musing, the line doesn't seem in Jane Austen's 1813 novel; instead, it was once the invention of the movie's screenwriter Deborah Moggach, who bewitched a whole new technology with this tear-inducing monologue. (Watch)

95. "So be prepared, be enthusiastic, and leave your bullshit attitude and baggage at the door because we don't need it!"

Wet Hot American Summer (2001)It used to be challenging for the Thrillist Entertainment team to land on which Wet Hot American Summer quote to represent the film as a result of there are such a large amount of good ones. "It's always fun to get away from camp, even for an hour." "You taste like burger, I don't like you anymore." "Let's all promise that in 10 years from today, we'll meet again, and we'll see what kind of people we've blossomed into." "I love sluts! Sluts rock!" "You're covered in dirt. Take a shower." Etc., and so forth., etc. It's a goldmine, people! Ultimately, we settled on this one from Amy Poehler's theater enthusiast Susie, who tells the camp children to saddle up for the musical quantity from Godspell they are going to be appearing for the ability display -- which Bradley Cooper's Ben is producing and Susie is directing-slash-choreographing. This D-plot concludes when Susie declares the youngsters later on the talent show: "Before we start, I'd just like to say the campers you're about to see suck dick! But nevertheless, please welcome them." (Watch)Warner Bros. Pictures

94. "I just wanted to take another look at you."

A Star Is Born (2018)The idea of "I just wanted to take another look at you" didn't originate with the 2018 remake of A Star Is Born. In truth, that interplay between ingenue and weathered superstar has been with the story since 1937. But anything about the drawl Bradley Cooper put on to play Jackson Maine became the line right into a minor web phenomenon. He and Lady Gaga's Ally have simply spent a delirious night time together that ended in a supermarket parking lot, composing "Shallow" off the cuff. When he drops her off, he stops her. "Hey?" "What?" "I just want to take another look at you." In Cooper's mouth the phrases flip buttery, and the road indelible. (Watch)

93. "You gotta hear this one song. It'll change your life, I swear."

Garden State (2004)The inclusion of a Garden State quote on this listing generated some controversy a number of the Thrillist Entertainment crew, because it comes from a film that in 2019 is just about universally derided, however which in 2004 was once liked unironically enough to show it right into a wonder cult hit. Fans weren't simply twee indie males pining for a "manic pixie dream girl," a term Natalie Portman's Sam helped encourage -- they had been youngsters and younger adults who known with the sense of privileged malaise and obscure unhappiness that runs in the course of the movie, and so they most probably harbored a delusion that love may just cure them. It may be cringeworthy to appear back on the scene by which Portman excitedly tells Zach Braff's zombified Andrew Largeman (that identify!) to hear a life-altering Shins track ("New Slang"), but to ignore its influence in 2004 and the years right away resulting would be to deny history. The scene additionally issues to the long-lasting legacy of the Garden State soundtrack, which itself has turn out to be a part of a socially acceptable opinion: "The movie sucks, but the soundtrack is great!" Ridiculous as it is, the scene emits sturdy nostalgia vibes for somebody who liked it the first time round, and for the ones folks who've been hardened into cynical skeletons through the unforgiving forces of time and the web, it is advanced into an excellent meme. (Watch)

92. "Ye best start believin' in ghost stories, Miss Turner. Yer in one."   

Pirates of the Caribbean: The Curse of the Black Pearl (2003)There's one character in all of the Pirates of the Caribbean franchise who was once correctly pirate-y, and it used to be Captain Barbossa, played with signature aptitude by means of the scenery-devouring Geoffrey Rush. He's a reminder that, sooner than all of us started to hate them, those movies was once improbable, and not anything comes with regards to the zombie-pirate terror of The Curse of the Black Pearl. Things go from common duration piece to just about a horror film when Elizabeth Turner is uncovered to the reality of the doomed sailors onboard the Black Pearl: when the moon hits their eyes like a big pizza pie that's when their skin dissolves into shreds of decaying flesh and tendons and not even bullets can kill them. Barbossa growls this iconic line at Liz sooner than she flees into the belly of the ship, and then he slams the door shut and lets out a crunchy abdominal chortle that appears like a number of bones being scraped together. Unforgettable. (Watch) 

91. "You've got red on you."

Shaun of the Dead (2004)Edgar Wright's zombie film spoof Shaun of the Dead is stuffed with habitual bits and visual gags: one opening scene is recreated midway in the course of the movie with the added spice of zombie mayhem, and every other great collection uses stitched-together tv clips to foreshadow the bloody mayhem that's to come back. Throughout the whole thing, quite a lot of characters pause their conversations with protagonist Shaun (Simon Pegg) to tell him, "You've got red on you," pointing to an ink stain on his shirt from an open pen in his pocket and, later, blood spatters from, you know, ganking the walking useless, turning a gory, gross horror film trope into anything hilariously mundane. (Watch) 

90. "Honest to blog?"

Juno (2007)Juno introduced Diablo Cody's arrival as a particular new screenwriting voice, however her quirky dialogue in the long run gained her as many haters as adoring fans. When Olivia Thirlby's best pal personality proclaims "honest to blog" incredulously, in reaction to the news that Elliot Page's Juno is, in fact, pregnant, she essentially summarizes all arguments for and in opposition to Cody's hyper-specific emblem. Revisit a featurette on the film and you'll be able to find cast and crew praising her script for its realism, which feels faulty taking a look back. It's simply how different Cody made her teens sound that now sticks out and merits as much praise as it does scorn. (Watch)

89. "I am Groot."

Guardians of the Galaxy (2014)What is there to say about "I am Groot" instead of merely: I am Groot. In the comics, Groot wasn't at all times so missing in vocabulary, but when he made his giant display screen debut in 2014 his repetition changed into an adorable defining feature. To be honest, "I am Groot" isn't just one line -- it is the entire dependable tree's strains. Vin Diesel had no simple activity voicing the creature, but his subtle inflections grew to become a monosyllabic hunk of bark into a celebrated pop cultural figure. The unlikeliness of "I am Groot" ending up this is corresponding to the unlikeliness of Guardians change into Marvel's breakout hit: It's bizarre, but it works. (Watch)

88. "Put some Windex on it."

My Big Fat Greek Wedding (2002)The working gag of the theater-performance-turned-hit-rom-com of 2002, My Big Fat Greek Wedding, was once a very Greek father who swore that a spritz of Windex may treatment anything else. On the day of her wedding, Toula (Nia Vardalos, who also wrote the film) wakes up with a zit (or mosquito bite, who is to say?) and her father recommends Windex. This magical thinking rubs off on her new husband Ian (John Corbett), who put some Windex on his zit on their marriage ceremony morning, making it disappear. It become this sort of bit for all of the people who had seen the film too: There have been several pieces written, bringing up dermatologists, that Windex is not, in truth, a wonder drug. (Watch) 

87. "It is the titular role!"

Lady Bird (2017)It's frequently regarded as bad writing to use the be aware "titular" -- i.e. to mention that Christine "Lady Bird" McPherson is the "titular" character in Greta Gerwig's near-perfect coming-of-age comedy Lady Bird. That's almost certainly why it is so wonderful when Lady Bird's best pal Julie (Beanie Feldstein) lobs "titular" as an over-enunciated insult throughout a struggle. Lady Bird, having fallen below the spell of some cool children, did not come to assert the function she was once assigned for the school play. What's that role? The Tempest in, well, The Tempest. "There is no role of the Tempest," Lady Bird bellows, ahead of Julie cuts in: "It is the titular role." It's a really perfect illustration of the dumb shit highschool pals argue over, and a star-making moment for Feldstein. (Watch)

86. "I want to play a game."

Saw (2004)The nearly 1 billion success of the Saw franchise is bewildering to audience who dismiss the ultra-violent movies as empty workout routines in what's steadily referred to as "torture porn," but the attraction is true there on this simple, terrifying word: "I want to play a game." It's all somewhat of fun, don't you spot? As some distance as villains move, Tobin Bell's mask-wearing Jigsaw used to be at all times at the chatty aspect -- no longer prone to Freddie Kruger-like puns, but also no longer a silent slasher like Michael Myers or Jason -- and his video message to deficient Amanda Young, preventing for her life in a reverse bear lure within the first-ever Saw, is a stark bit of tutorial sadism from screenwriter Leigh Whannell, who flipped the studied terror of Seven into a good grimer low-budget brainteaser. He's establishing the convoluted laws of a game you'd never need to play, rewriting the new historical past of the horror genre within the process. (Watch) Buena Vista Pictures

85. "They called me Mr. Glass."

Unbreakable (2000)How do you both persist with up probably the most stunning twist endings of the '90s and one of the crucial quotable horror one-liners of all time? If you might be filmmaker M. Night Shyamalan, you break out the shadow of "Bruce Willis was a ghost the whole time" and "I see dead people" by way of writing a moody, somber family drama that unearths itself to actually be a moody, somber superhero origin tale. "They called me Mr. Glass," whispers Samuel L. Jackson's tragically villainous Elijah Price in Unbreakable's final second, James Newton's haunting ranking swelling in the background as the audience figures out the deception on the coronary heart of the tale. The film was once thought to be an abnormal transfer on the time, failing to recapture the important and industrial highs of The Sixth Sense, but Unbreakable's passionate defenders spoke back to the emotionally wealthy mix of melodrama and pulp, and Shyamalan got the last giggle, sooner or later continuing the tale with the less quotable thrillers Split and Glass. (Watch) 

84. "I have nipples, Greg. Could you milk me?"

Meet the Parents (2000)You can probably trace Robert De Niro's underwhelming late-career moves like Dirty Grandpa to the mainstream commercial good fortune of Meet the Parents, a franchise that spawned two sequels. Why now not play an older man who will say exactly what's on his thoughts when the formula has paid off prior to now? But it's the chemistry between De Niro's ex-CIA not easy guy and Ben Stiller's bumbling idiot fiancé that makes the film tick, as exemplified on this scene. Stiller's Greg, stuck in another lie, makes an attempt to inform the tale of how he milked a cat, eliciting one among De Niro's intensely probing responses delivered with out a trace of humor or irony in his voice. It's the type of line that everyone in the entire relatives will in finding funny, attaining a universality you'll be expecting from a movie that turns the most reductive stereotypes about marriage and relations right into a lucrative comedy. (Watch)

83. "This is Sparta!"

300 (2006)Like virtually each and every detail of Zack Snyder's hyper-stylized, pro wrestling vision of historic history, the road "This is Sparta!," bellowed via Gerard Butler before kicking a Persian messenger into a bottomless pit, was ripped at once from a panel of Frank Miller's graphic novel of the same name. Still, it's not easy to completely blame Miller, Butler, or even Snyder for the quote's ubiquity amongst a certain strand of beer-slamming, weight-lifting brutes in the mid-to-late '00s. The quote used to be featured heavily in the marketing fabrics, virtually instantaneously producing memes, parodies, and remixes on sites like YTMND (RIP). "This is Sparta!" used to be "a thing" earlier than the movie even came out, celebrated and mocked for its macho gravitas. By the time the line changed into a punchline in the odious 2008 spoof Meet the Spartans, delivered with a big wad of spit and a large smirk, the shaggy dog story was already useless. (Watch) 

82. "In one of our designs even these mosquito bites will look like juicy, juicy mangoes!"

Bend It Like Beckham (2002)There's merely a humorous melody to the backhanded insult a seamstress directs toward aspiring soccer big name Jess (Parminder Nagra) in Bend It Like Beckham when she's miserably getting fitted for a sari. Jess' sister is chided by way of their mother for wanting her garment to act as a push-up bra, however the older ladies are desperate for Jess to sing their own praises any of her body. It's a miniature encapsulation of the notions of womanhood our heroine battles in opposition to over the course of the film. (Watch)

81. "I wanna rob."

The Bling Ring (2013)Sofia Coppola's motion pictures aren't inherently quotable. In fact, arguably probably the most indelible moment she ever constructed revolves around an impenetrable whisper in Lost in Translation. (We regarded as striking that on this list, however we still have no idea what Bill Murray said to Scarlett Johansson). The Bling Ring is an outlier. Coppola put her own stamp on the real and entrancing tale of a bunch of teens who robbed celebs, the likes of Paris Hilton and Lindsay Lohan, in the early aughts. There's in all probability not anything in her dreamy movie as memorable as some of the real-life teenagers sobbing "Nancy Jo, this is Alexis Neiers calling" into the telephone at the reality show Pretty Wild, however one second comes shut: Emma Watson, blunt in hand, popping her hip to the facet and whining, "I wanna rob," so to get her buddies to damage into Paris Hilton's space. (Watch) 

80. "You're putting the pussy on a pedestal."

The 40-Year-Old Virgin (2005)The bro-nerd comedy that made Steve Carell a bankable film megastar options, like all of the Judd Apatow-adjacent comedies in this listing, quite a lot of quotable strains. But the wrongheaded masculinity of "You're putting the pussy on a pedestal" -- recommendation presented through Romany Malco's Jay and Cedric Yarbrough's unnamed dad at the health health center -- shows the ironic allure that makes the hokey premise of this sex comedy paintings. While the phrase has been sadly co-opted via misogynist online communities, within the film it is only a dumb aphorism liked through overconfident bros. Jay speaks to Carell's Andy with realized authority while the four SmartTech workers are killing time by smashing lighting fixtures. Then a random dad decides to insert himself into a stranger's life after they meet at a health clinic: The complete level is that it is a silly thing to mention! As Andy himself asks, "What are you even talking about? What does that mean?" It signifies that a large number of males have simplistic concepts about the best way the sector works, they usually lack the self-awareness to know they sound like idiots. (Watch) 

79. "Cello, you've got a bass."

School of Rock (2003)Let's get one thing immediately: Richard Linklater's School of Rock completely stands the check of time. Of direction, shouldering maximum of its lasting greatness is Jack Black's functionality as Dewey Finn, a deadbeat musician who steals his roommate's change teaching activity, turning the school room of serious private college children into bona fide rockers. Part of that transformation includes Dewey showing the students that the skills they've already picked up from school band are appropriate to rock 'n' roll. Just flip that big, four-stringed software on its aspect and, cello -- you've got a bass. (Watch) Miramax

78. "I am gonna kill Bill."

Kill Bill: Vol. 2 (2004)Although Quentin Tarantino's two-part martial arts car Kill Bill Vol. 1 and a pair of makes Uma Thurman's pursuit of revenge in opposition to the Deadly Viper Assassination Squad and their leader Bill (David Carradine) all the time apparant, hearing The Bride title drop the name of the film (drink!!!) is just as pleasing as the calculated slays themselves. We're met with that bloodlust on the very beginning of Vol. 2 in black and white as Thurman drives with the top down, on a venture. With a monologue recap of the first movie, having a look simply past the digital camera, she "roared and rampaged and got bloody satisfaction," and now she's waiting to homicide the single man she's dreamt of killing for years. Her angry self belief in announcing what now we have been looking ahead to makes your blood boil with sadistic excitement -- we're also waiting to watch one in every of Tarantino's few feminine protagonists come for the killing. You know she will get the job executed. (Watch) 

77. "Didn't I tell you not to come to my house? Nobody touches my child!"

Obsessed (2009)"Come here, bitch. I'll wipe the floor with your skinny ass," says Beyoncé in opposition to the end of this joyfully ludicrous erotic mystery, a twist at the proven Fatal Attraction method with Ali Larter in the Glenn Close role and Idris Elba as the Michael Douglas-like master of the universe with a wandering eye. The giant difference is that Beyoncé, coming off her I Am… Sasha Fierce report and her section in Dreamgirls, plays the scorned spouse, and he or she makes the many of the role within the movie's climactic struggle scene, dragging Larter by means of the leg and punctuating her traces with punches to the face. Obsessed isn't a really perfect film -- a lot of it's dull and derivative -- nevertheless it comes alive within the final stretch, enlivened by the depth of the performances and the tawdriness of the material. At the moment, Obsessed is Beyoncé's last non-voice-acting Hollywood movie role; if she returns to narrative characteristic motion pictures sooner or later, possibly at the back of the camera, hopefully she'll convey a touch of Obsessed's pulpy, cathartic pleasure along with her. (Watch) 

76. "We could not talk or talk forever and still find things to not talk about."

Best in Show (2000)Christopher Guest's canine display comedy is difficult to encapsulate in one quote. Sure, there are strains you'll be able to reference, but it's more about the characters his ensemble digs deep to create. The humor comes from getting to understand these weirdos, who sometimes say hilariously un-self-aware things. Early in this dog show satire we're introduced to Jennifer Coolidge's daffy poodle proprietor Sherri Ann Cabot and her very old, very rich husband Leslie. While he stays silent she tries to convince the target audience that they have such a lot in not unusual: Soup, the outside, snow peas, talking, now not talking. Coolidge's convoluted supply is so exact it kind of feels scripted, even if Guest's movies are largely improvised. (Watch)

75. "I have such doubts!"

Doubt (2008)There's a selected more or less endorphin rush you get when one of the most characters in a film says the TITLE of the movie IN the movie. In Doubt, this occurs a minimum of thrice, possibly 10, possibly 100, starting with the primary scene. But it is the final scene, the fraught, melodramatic conclusion, that comprises its unmarried best line, whispered with nice feeling by means of Meryl Streep. It comes after Meryl and Amy Adams oust a clergyman from their faculty who they think has been abusing young boys, however nobody ever noticed any exact evidence, so there is nonetheless a tiny likelihood, in Meryl's persona's thoughts, that he never did the rest. But that is not essential. You do not even want to have noticed the movie to understand how to wield this line in any social situation that requires an correctly distressed Streep impact. (Watch) 

74. "Hell is a teenage girl."

Jennifer's Body (2009)Screenwriter Diablo Cody's follow-up to Juno, for which she won a shit-ton of best original screenplay awards, together with the Oscar, used to be Jennifer's Body. Directed by way of Karyn Kusama, it is a revenge horror-comedy unapologetically made for girls, and that absolutely baffled maximum critics on the time. A demonic indie band fronted via Adam Brody in emo eyeliner sacrificing Megan Fox's Jennifer -- topped most up to date woman on this planet by means of each males's magazine -- by chance turning her right into a boy-eating succubus, was just an excessive amount of for folks (read: males who paid the ticket value to ogle). Jennifer's Body has been somewhat vindicated in the last few years, with the new crop of bloggers and critics proclaiming that the film was way ahead of its time and a feminist horror vintage stuffed with sharp, ironic humor, and hinged on a poignant #MeToo tale lengthy sooner than the movement began. But the movie's opening line, in a voiceover through Amanda Seyfried's Needy, used to be a Tumblr anthem to puberty and the intensity of emotions younger women endure, long sooner than the righteous revisionism started. (Watch)

73. "You gonna eat your tots?"

Napoleon Dynamite (2004)No one expected the sector to embody the odd patch of Idaho that birthed Napoleon Dynamite and his buddy Pedro, but boy, did it ever. Made on the cheap of round 0,000, the film wound up grossing greater than $Forty six million, which is what they name a "hit" within the film trade. Like so many other movies featured in this record, Napoleon Dynamite wasn't simply popular, however a lexical phenomenon that helped return to common use non-profanities like "Heck yes!" and "Gosh!", and offered solecisms like saying each L's in "quesadilla." In a script full of sufficient one-liners to spawn a T-shirt cottage business, "you gonna eat your tots?" is the quote that best sums up Napoleon Dynamite's unusual allure. Napoleon's brazenness and social ineptitude capture the uncomfortable feeling of being a highschool outcast determined for attention, however the scene is going past what most of the people can relate to when he stuffs Pedro's tots within the facet pocket of his zip-up shipment pants. It's a second of Dada common sense in a film that had such a lot of folks asking, "What the hell is this?" and answering themselves, "I don't know, but it's really funny." (Watch)

72. "I have had it with these motherfuckin' snakes on this motherfuckin' plane!"

Snakes on a Plane (2006)Snakes on a Plane is a powerful argument that the web would possibly were a terrible mistake. What began as a goofy shaggy dog story, some good-natured ribbing about the absurdity of high-concept thrillers on screenwriter Josh Friedman's weblog and a audio-only parody trailer that helped popularize the "motherfuckin' snakes" line, turned into an irony-soaked online obsession, sooner or later spilling out into the arena of past due night communicate presentations and into the textual content of the film itself. Pre-release speculation ended in reshoots where the "motherfuckin' snakes" line, in conjunction with extra R-rated violence and nudity, was once filmed to delight the growing snake-crazed fanboy army. (I have a brilliant reminiscence of having a personalized robocall that includes the voice of Samuel L. Jackson telling me to head see the film). Then the movie got here out, driving months of hype, and it most commonly sucked, most likely proving that B-movies should not be crowd-sourced by way of bored forum-dwellers. While Snakes on a Plane now plays like a cautionary tale about the cornieness of "totally epic" mid-'00's humor, what's nerve-racking is that Hollywood has solely gotten craftier at cynically stripmining viral enthusiasm for a fast buck within the last decade. Blame the motherfuckin' snakes. (Watch)

71. "To me, you are perfect."

Love Actually (2003)Love Actually does not precisely peak Breakfast at Tiffany's within the Widely Loved, But Very Problematic Movie division, but it makes its best effort via pretty much each one of its 18,000 working storylines, culminating in the scene where Mark (Andrew Lincoln) turns up at Juliet's (Keira Knightley) space with a chain of the creepiest romantic flashcards ever created. Lincoln himself called his personality a "creepy stalker," possibly as a result of Mark movies nobody however Juliet all through her marriage ceremony (to Mark's best pal), or as a result of he shows up on Christmas silently proclaiming timeless love for the woman who actually simply married his best friend. Seems like he would possibly have had an opportunity to pull the flashcard stunt in the months or years previous Christmas. Nevertheless! Love Actually lives on as one of the crucial best Christmas movies ever AND some of the best rom-coms ever. The treacly tagline that "love actually is all around" is pushed home via Mark's determined plea, a kind of grand film gestures that calls to thoughts John Cusack's Say Anything boombox. While much of Richard Curtis' script expresses more ambivalent emotions towards love than the name suggests, the cue playing cards have lived on as a meme, and "To me, you are perfect" has repeatedly bailed out romantic companions with not anything authentic to jot down in birthday or Valentine's Day playing cards. For the document, the one a part of Love Actually that holds up is Rowan Atkinson's role -- Mr. Bean wraps presents so slowly! (Watch)

70. "For a guy with a four digit IQ, I must have missed something."

Limitless (2011)Seven years before Bradley Cooper was the quadruple-threat actor/director/producer/songwriter behind A Star Is Born, he played Eddie Morra, a creator who finds a drug that provides him a quadruple-digit IQ. It's a kind of "just go with it" premises that's made specific in the poster and trailer, however is bolstered in a scene that comes before the opening credit, a type of "record scratch, freeze frame" setup that shows Eddie on the end of his rope, with unknown bad guys closing in sooner than we rewind to get the whole story. In voiceover whilst he teeters on the fringe of a skyscraper, Eddie displays on his current state, lamenting the gaps in his differently hermetic IQ: "I'd come this close to having an impact on the world. And now the only thing I'd have an impact on was the sidewalk." Is this Shakespeare? Certainly not. But it's the type of dumb, repeatable line that makes good-bad movies so stress-free. (Watch)

69. "My tastes are very singular."

Fifty Shades of Grey (2015)Fifty Shades of Grey is an especially creepy film. Yes, it gave us the one best Beyoncé conceal in the entire international, but it additionally gave us heaps and heaps of people who idea a person cajoling a lady into BDSM as a result of he knows she likes him is… the height of romance? Christian Grey hems and haws round the issue of simply telling the lady he likes that he is into some casual dom/sub action from time to time, describing his "tastes" as "very singular." Eeeugh. But, what higher technique to take back our power and agency from patriarchal depictions of desire than to meme the living daylights out of its most eldritch scene? Look up "My tastes are very singular" on YouTube and you'll be able to get the whole lot from video game consoles to anime lady frame pillows to One Direction theme bedrooms. Anything is healthier than a "Red Room of Pain." (Watch)

68. "I have to return some videotapes."

American Psycho (2000)Mary Harron's adaptation of Bret Easton Ellis' savage satire of Reagan-era American capitalism does so much more than seize the brutality and humor of the book. With Christian Bale as the psycho, Patrick Bateman, his extreme aversion to human social interplay takes on a deathly serious tenor as embodied through the road Bateman uses to get out of any scenario fast. It's a wholly fantastic excuse that reveals how little empathy and social consciousness Bateman possesses, especially when he makes use of it as an alibi and instantly following a declare that he is "in touch with humanity." Nearly twenty years after the movie came out and ages since videotapes had been supplanted via different media, "I have to return some videotapes" still reigns because the absurd rejoinder that shows just how little regard you will have for the person you are chatting with. Try it out the following time you are breaking up with any person, or are being puzzled regarding a coworker's suspicious disappearance. (Watch)

67. "Do you know what happens to a toad when it's struck by lightning? The same thing that happens to everything else."

X-Men (2000)Buffy the Vampire Slayer author and Avengers director Joss Whedon worked on a draft of the first X-Men script that used to be virtually entirely scrapped, however in interviews over time, the creator has taken credit for two distinct comedic traces that made it into the movie. First, there may be the Wolverine "You're a dick" quip to Cyclops, which is a superbly fine piece of comic-book banter. The other one, which Halle Berry's Storm delivers right as she electrocutes the villain Toad in entrance of the Statue of Liberty, is extra debatable. In a 2013 interview with Entertainment Weekly, Whedon called it "terrible" and criticized Berry's delivery, pronouncing, "she did it like she was King Lear." (He additionally advised the A.V. Club in 2001 that she "said it like she was Desdemona," proving the fellow in point of fact does love his Shakespeare references.) I'd argue that Berry's functionality -- in a chain that rarely gave her a lot to do -- is in truth what makes it so memorable. She goes for it! Despite the field office and significant good fortune of the Marvel Cinematic Universe, you will not to find many quotes from the ones movies on this checklist because the sitcom-like sheen to the discussion and the rather irreverent area taste renders a lot of it completely disposable. Unafraid to play with cheesiness, Berry elevated a corny gag to camp poetry. (Watch) A24

66. "In moonlight, black boys look blue."

Moonlight (2016)Moonlight, the Best Picture-winning sophomore function from director Barry Jenkins, used to be the results of such subtle, thoughtful alchemy. Jenkins' lush visuals, inspired through the work of Hong Kong filmmaker Wong Kar-wai, complement the poetic phrases of playwright-turned screenwriter Tarell Alvin McCraney, who evolved the script as an unproduced conceptual theater mission at Yale within the late '00s, and both components are dropped at life via actors like Alex Hibbert, playing the impressionable young Chiron, and Mahershala Ali, playing the sensible drug dealer Juan. The intimacy of the "in moonlight, black boys look blue" monologue, which unearths Ali telling a private tale and embodying the voice of "this old lady" from his childhood in Cuba, is other than many of the more abrasive, explosive quotes in this checklist. It can't be diminished to a meme or deployed as a GIF. But in a movie constructed around small gestures, it has a profound, reality-altering power. The line transports you through time and space, the vulnerability of the performer and the character running in ideal solidarity. (Watch)

65. "These are not spirit fingers. These are spirit fingers. And these are gold."

Bring It On (2000)It's fairly in truth insane that UCB staple Ian Roberts was once Sparky, the pill-popping choreographer striking highschool cheerleaders thru boot camp to "transform [their] robotic routines into poetry written with the human body." The terrible goatee, the blouse with one too many buttons open, his scathing burns of everyone's bodily flaws, and his crucial defining trait: spirit palms, the "bad" ones nearly indistinguishable from the "good" ones. Clearly just a derivation of jazz fingers, "spirit fingers" was once probably the most defining schticks of Bring It On, directed through Peyton Reed (his first film -- he would later go on to make Ant-Man), and a damn nice one at that. (Watch) 

64. "The law says that you cannot touch. But I think I see a lot of lawbreakers up in this house tonight."

Magic Mike (2012)Remember how everybody collectively lost their shit when Magic Mike came out? Directed by Steven Soderbergh (I know, proper?) and loosely according to Channing Tatum's stories as a tender male stripper, it was once the field office hit of late summer 2012. Hot, half-naked buff males thrusting on display screen will do this, it sort of feels. The tone of Magic Mike is set masterfully: In the primary, like, two minutes, there's the one-two punch of Matthew McConaughey's Dallas, proprietor of club Xquisite, delivering the principles of the show to a room of screaming ladies in one of the insane monologues he is ever given in movie (and he used to be a nomadic poet in a Harmony Korine movie, for chrissakes), adopted by an unimpeded shot of Tatum's butt. This is what you name "cinéma." (Watch)

63. "You're a wizard, 'arry."

Harry Potter and the Sorcerer's Stone (2001)The appeal of J.K. Rowling's Harry Potter stories is rooted in a raw, tough fantasy of juvenile: Discovering that you're extra special, extra unique, and more magical than the other kids round you. When Robbie Coltrane, the burly Scotish actor tasked with bringing the half-giant Hagrid to life in Chris Columbus's first Harry Potter film, leans ahead and says the line, "You're a wizard, 'arry," Daniel Radcliffe, nonetheless a fresh-faced child at this point, reacts with what looks as if the beginnings of mischievous smile, hinting that he is aware of this is the truth he is been searching for. It's not exactly a shock. Yes, his eyes then trojan horse out as he asks, "A what?" But it's almost like the character is acting the disbelief and wonder for his onlooking aunt and uncle, the two normal humans he despises essentially the most. Hagrid's proclamation, one of the most many economical and poignant bits of dialogue in Steve Kloves's script, is the sound of a door opening, inviting the boy to a global he can't fairly consider. In his coronary heart, 'arry was once at all times a wizard, but he needed to hear it out loud to confirm it used to be true. (Watch)

62. "I'm the guy who does his job. You must be the other guy."

The Departed (2006)The Departed, Martin Scorsese's Boston crime saga tailored from the Hong Kong mystery Infernal Affairs, is a movie obsessed with the corrosive fantasy of professionalism. Cops and gangsters, the two feuding sides within the film's heightened moral universe, every like to think about themselves as fundamentally men of honor, guys who have difficult jobs however go about them with dignity. They've all were given a code, proper? It's unsurprising that Sgt. Sean Dignam, the foul-mouthed authority determine played by means of a fired-up Mark Wahlberg, believes that announcing he "does his job" is essentially the most brutal insult imaginable. Like the macho put-down's present in a David Mamet play or an episode of Billions, it is an strive at general emasculation constructed around the idea that you are what you do and also you must do it smartly. Results matter. Efficiency is the function. Put numbers on the board. There's a reason Dignam is the lone survivor within the movie's twist-filled climax: He's the man who does his job, the cop who helps to keep his head down long sufficient to make his transfer, and those useless our bodies are the opposite guys. (Watch)

61. "Look at my shit."

Spring Breakers (2012)Harmony Korine's hedonistic "beach noir" indictment of wealth and youthful materialism was once branded an "instant cult classic" on its launch, if there may be any such thing, and it in reality is an enjoy to observe this dreamy neon-lit crime movie play out -- one that, like many of Korine's movies, would possibly require a undeniable substance or two to truly, like, understand, what I'm saying. James Franco's Alien leads a gaggle of youngster ladies down the path of depression and destruction, relationship them by way of taking them again to his pad and appearing off all his "shit." The scene is a direct condemnation of the American Dream, yes, however it is also a funny thing to mention whilst you invite your date again in your place to look at your number of African ceremonial masks -- or, in Alien's case, board shorts and system guns and gold bullets and Scarface on repeat. (Watch)

60. "Prepare to be fucked by the long dick of the law!"

Superbad (2007)Superbad, the defining youngster movie of the 2000s, is yet another movie in this listing that contains many, many iconic quotes. How dare we now not pick out "I am McLovin,'" proper? Well, get ready to be fucked by means of the long dick of the regulation -- who is us on this example -- as a result of we went with the declarative Seth Rogen's bumbling, drunk Officer Michaels shouts as he and Bill Hader's Officer Slater bust the highschool rager. Jonah Hill's Seth is carrying out the very long Evan (Michael Cera) as the two law enforcement officials come throughout the door, and Fogell's seeking to lose his virginity upstairs. Like most of highschool, nothing really goes as planned, however the single thing every excessive schooler can count on is a minimum of one awkward (or worse) interaction with bored law enforcement officials. (Watch)Walt Disney Pictures

59. "Just keep swimming."

Finding Nemo (2003)Before Ellen Degeneres used to be Ellen, the mononym, she used to be an out-of-work actress who have been sidelined in Hollywood after popping out as a lesbian in 1997. Then Finding Nemo took place. Not four months after the Pixar movie about Marlin, a father clownfish, looking for his son used to be launched, Ellen premiered Ellen, the similar sunlight hours communicate display that's nonetheless running lately. Her shocking comeback can no doubt be chalked as much as her candy, legitimately humorous functionality because the voice of Dory, the jovially undeterred regal blue tang who suffers from temporary reminiscence loss. In a particular moment of helplessness, their earlier ends up in Nemo having dried up, Dory sneaks into the body and stocks with Marlin her sing-songy wisdom for when instances get not easy: "Just keep swimming, just keep swimming, just keep swimming, swimming, swimming. What do we do, we swim, swim…" The simple aphorism exploded right into a positivity motion all its personal, discovering its manner onto the senior quotes of highschool students, tattoos, T-shirts, blog posts, GIFs… you title it. (Watch) 

58. "You had my curiosity. But now you have my attention."

Django Unchained (2012)In the second one of his revisionist historical past motion pictures, Quentin Tarantino is in top shape, meting out fantasy justice to abominable characters like Leonardo DiCaprio's Calvin J. Candie, a smooth-talking slave-owner with a zeal for phrenology. Candie's gleeful hatred -- lined with a slimy veneer of Southern manners -- places the potency of Tarantino's persona building on full show. The slave-owner is the quintessential talentless, overconfident guy who believes himself a long way awesome to a foreigner and a free slave, regardless of all evidence to the contrary. As he's taking a infantile slurp out of a coconut full of booze, DiCaprio delivers the film's best line with the type of uncomfortable familiarity and condescension that make the final act's revenge fantasy absolutely earned. It's the kind of line it's good to consider a mission capitalist or equivalent vampire uttering lately; we fortunately no longer promote people as commodities, however the sickening nature of business sharks stays. (Watch)

57. "You're the man now, dog!"

Finding Forrester (2000)It's tough to provide an explanation for why "You're the man now, dog" must be on this listing. For something, the movie that the quote springs from, a coming-of-age drama starring Sean Connery as a J.D. Salinger-like literary recluse who mentors a teenage basketball player, is totally forgettable, a sentimental retread of Good Will Hunting from individuals who must almost definitely know better. (Somehow, it made million at the field workplace, a sign that the 12 months 2000 in point of fact was once a special time.) In the context of director Gus Van Sant's career, it is thought to be a semi-embarrassing speed-bump on easy methods to extra experimental, riskier terrain like Gerry and Elephant. Sure, a grizzled Connery shouting, "PUNCH THE KEYS!" is funny by itself, but the significance of "You're the man now, dog!", which was featured within the trailer for the film, is rooted in the word's virtual afterlife. Launched in 2001 with a loop of Connery repeating the line, YTMND was a web-based group for customers creating and sharing low-quality audio-visual jokes with each other, the type of inexplicable and absurd concoctions web customers now take as a right as the fundamental language of being a little bit too online. The site became a pre-Twitter and -Facebook behemoth with four million monthly customers at its top, in line with a Gizmodo article about its rise and eventual fall. And it did fall not easy, almost disappearing previous this yr after struggling a "catastrophic failure," however the website's affect is massive. Thank you, Sean Connery. (Watch) 

56. "Girl, you can't get no infection in your booty hole! It's a booty hole!"

Girls Trip (2017)Tiffany Haddish's most renowned moment in Girl's Trip, the riotously funny comedy written by means of Kenya Barris and Tracy Oliver, could be the educational scene involving a grapefruit, however the "booty hole" change, which occurs within the airport prior to the big go back and forth to the Essence Festival in New Orleans, is after we actually get a way of what her persona, Dina, is going to convey to this film. Simply, she's the funniest good friend, the wildest travel companion, and the individual most likely to stuff drugs in her butt. Haddish's functionality is a type of in point of fact special star-making comedy turns like Will Ferrell's in Old School, Melissa McCarthy's in Bridesmaids, or Zach Galifianakis' in The Hangover. She steals this scene and then proceeds to walk away with all of the film. (Watch)

55. "I volunteer as tribute."

Hunger Games (2012)Katniss Everdeen's declaration was once taken without delay from Suzanne Collins' bestselling YA novel, however it is Jennifer Lawrence's functionality that makes it worthy of inclusion here. From her, the phrases changed into a chillingly determined gasp. As the heroine of the dystopian fantasy, Lawrence shouts the phrase when her little sister is recruited to be a part of the tough games in which children from fable nightmare Panem's quite a lot of districts are sacrificed. The Hunger Games movies themselves have seemingly turn out to be less culturally relevant through the years, but "I volunteer as tribute" stays alternately a rallying cry and a solution to say you, uh, volunteer for a role. (Watch)

54. "Even artichokes have hearts."

Amélie (2001)We debated for a very long time about whether or no longer quotes from overseas language films belong on this listing, no longer as a result of there isn't unbelievable writing in movie from different nations (clearly, there is), however because fewer bits of discussion from films from outside the United States and Britain have entered our American cultural lexicon. "Even artichokes have hearts" from Amélie is an exception. Just take a jaunt to Etsy and you can to find all kinds of merchandise bearing the cutesy word. In Jean-Pierre Jeunet's sometimes aggressively twee comedy, Audrey Tautou's impish Amélie uses "even artichokes have hearts" as a part of an imagined retort to a cruel grocer who verbally abuses his worker calling him a "vegetable." It's almost too lovable, the kind of thing you possibly can find on the AIM away message of a particularly cultured youngster in the early aughts. (Watch)

53. "Would that it were so simple."

Hail, Caesar! (2016)You in reality wouldn't have to have seen the Coen brothers' satire of Blacklist-era Hollywood to comprehend the scene during which "would that it were so simple" seems. A pompous director (Ralph Fiennes) attempts to get a cowboy actor (Alden Ehrenreich) to say an overwrought line of old-timey discussion accurately. Their from side to side is like an amped up Marx brothers regimen and the real phrase is so strangely convoluted that it is all incredible comedy. (Watch)

52. "With great power comes great responsibility."

Spider-Man (2002)Mention "Spider-Man" to anyone who is ever dipped a toe into the pop culture wave pool, and they're going to probably answer with some variation of this quote. It's a vintage line from Marvel's Spider-Man comics that, because of the recognition of Sam Raimi's 2002 superhero masterpiece, is now ubiquitous. (Plenty of other folks probably do not even are aware of it's from Spider-Man!) In Raimi's film, Uncle Ben says it to Peter Parker while trying to have The Talk, no longer knowing that Peter is currently dealing with a puberty transformation of a distinct type (the kind with six more legs than usual), and but what he says to him on this moment finally ends up being the pressure that drives Spidey for the rest of his life. It's the inverse of "absolute power corrupts absolutely": folks with strengths and abilities beyond others -- superpowered or not -- have a duty to know the way to make use of those abilities. Just because you CAN do anything, just because you've a undeniable degree of energy that others do not, does not all the time imply that you simply should. (Watch)

51. "Ass to ass."

Requiem for a Dream (2000)Nobody on staff right here was once jumping to write down up the "ass to ass" quote, and who can blame them! It's the seediest, maximum repulsive line in a seedy, repulsively horny movie, and it serves because the three-word fruits of lives given over to the destructive energy of drugs. The line comes all the way through the film's ultimate montage, which depicts every of the central characters' rock bottom: Harry (Jared Leto) learns his inflamed arm must be amputated, Tyrone (Marlon Wayans) has to kick heroin chilly turkey in jail, and Sara (Ellen Burstyn) undergoes electroshock therapy. But it is Jennifer Connelly's Marion who's subjected to the most degrading act in her perpetual search for medicine. Having already set up an arrangement with the pimp Big Tim (Keith David), Marion takes him up on his be offering to enroll in a little celebration he throws, a birthday party that's in reality a intercourse show. As the scene intensifies and Connelly and the other women proceed blowing cocaine, one asks, "So what are we gonna do now?" Cue Stanley B. Herman's Uncle Hank (his identify comes from the book), who knows precisely what they're gonna do now: The act that is lovely neatly described by means of its title. If you realize nothing else about this movie, you almost certainly still know this line because of its ubiquity on the web -- a line and scene that director Darren Aronofsky says on the DVD observation have been impressed by anything he if truth be told witnessed. No further elaboration given. Yikes! (Watch)Warner Bros. Pictures

50. "You will ride eternal, shiny and chrome."

Mad Max: Fury Road (2015)George Miller without difficulty created a complete global, whole with its personal societal structure and mythology, inside the first 1/2 hour of his epic Mad Max: Fury Road, adding fierce Imperators and albino "warboys" to his diesel-drenched post-apocalyptic saga. The tyrannical Immortan Joe has evolved a religion so as to subjugate his people, convincing them that, after they die, they'll continue to "ride shiny and chrome" within the viking afterlife of Valhalla. That's what he says to younger Nux (Nicholas Hoult) earlier than he sends him on a suicide challenge. It's the YOLO of the sandy, violent long run. It's additionally the thing your lizard brain says to itself right ahead of you run a pink light. (Watch)

49. "I don't like sand. It's all coarse, and rough, and irritating. And it gets everywhere."

Star Wars: Episode II - Attack of the Clones (2002)Hayden Christensen become an quick icon for all of his weird lines in Star Wars: Attack of the Clones and its sequel Revenge of the Sith -- sadly for him, now not because any of the ones strains were any nice. The characteristically dopey delivery of his diatribe against sand to his lover Padmé Amidala is perhaps the best bit of accidentally comedic acting in the whole Star Wars saga. Anakin grew up as a slave on a wasteland planet, so yeah, naturally, the texture of sand would most likely convey back the ones memories. But, geez, man, cannot you recall to mind a much less creepy way to say it? (Watch) 

48. "I am the motherfucker that found this place, sir."

Zero Dark Thirty (2012)Jessica Chastain isn't exactly a "funny" performer, and Zero Dark Thirty, the controversial drama about the years-long hunt for Osama bin Laden, is surely now not a "funny" movie. The personality she performs, a no-nonsense CIA intelligence analyst named Maya, is obsessed with her job, and when she gets within the room with James Gandolfini's gruff CIA Director she does not back off. She's been pushing this rock up a hill for years. The "motherfucker" line has a grim matter-of-factness to it that speaks to the movie's center of attention on Maya's single-minded, ethically warped mission. Zero Dark Thirty and The Hurt Locker, the two tactics-obsessed conflict films written by means of Mark Boal and directed via Kathryn Bigelow from the '00s, are stuffed with purposeful bits of army jargon, bureaucratic double-speak, and terse instructions. They're no longer exactly quotable, choosing to concentrate on creating emotions of dread as an alternative, however somehow the "motherfucker" line cuts through the tension and provides a much-needed moment of levity. (Watch) 

47. "Kiss me, my girl, before I am sick."

Phantom Thread (2017)You wouldn't usually assume any person poisoning her spouse is "sweet," but Phantom Thread pulls it off. Paul Thomas Anderson's follow-up to the hazy, mumbling, postmodern mystery Inherent Vice favors the meticulous, harsh candor of Daniel Day-Lewis' Reynolds Woodcock and the narrative straightforwardness of a pair falling in love. A fashion designer with obsessive-compulsive and controlling dispositions, Woodcock spends all the operating time verbally slicing down those who fail him -- including Alma, the waitress he's turned into his muse, though she's utterly unwilling to give up her own assertiveness and independence (The tea is going out, the interruption is staying proper right here with me!). Their dynamic makes his response to Alma's revelation that his omelet is poisoned so perversely sweet. Just when the fight of being together reaches its darkest moments, Alma and Reynolds lay their playing cards at the desk. She desires him flat on his again; he is finally willing to give up regulate. It epitomizes the contradictory, painful, and transcendent nature of affection, and puts a becoming capstone on Alma and Reynolds' courtship. (Watch) 

46. "The wrong kid died."

Walk Hard: The Dewey Cox Story (2007)For a while it nearly appeared like Walk Hard: The Dewey Cox Story can be a footnote in the period of comedies outlined by way of prolific man-babies Adam McKay and Judd Apatow. Thankfully, the years had been sort to this parody of tedious music biopics, particularly taking into account Hollywood assists in keeping making tedious music biopics. Walk Hard is now being favored because the masterpiece it is, and is used as a reference point on every occasion a new film falls prey to the similar clichés it lampooned. (Ahem, Bohemian Rhapsody.) Among the ones clichés: The unloving parental figure, who refuses to recognize that his son is a skilled artist. "We kept noticing that most of the characters had the disapproving parents," Apatow said in an oral history of the film. You see, Dewey slices his brother in half of throughout a playful machete combat, and his father will not prevent reminding him: "Wrong kid died." Elton John may not have a lifeless sibling in Rocketman, however his grumpy father would possibly as smartly be pronouncing to him "wrong kid died" every time he serves up a look of sadness. (Watch)

45. "Not the bees!"

The Wicker Man (2006)According to Ethan Hawke, Nic Cage is "the only actor since Marlon Brando that's actually done anything new with the art of acting." He's right. Cage does not inhabit a role such a lot as he grabs it through the scruff of its neck and beats it into submission, and nowhere is that method more glaring than in Wicker Man, the mid-aughts remake of the 1973 British horror classic. It's a quintessentially insane Cage performance; some might call it bad acting, while we make a selection to recognize its unhinged gonzo genius. Throughout a film that has Cage working round yelling at children, punching and kicking ladies, the scene the place the neo-pagans in the end actual their punishment is among his finest paintings. "Not the bees!" concentrates all of Cage's brilliance into a primal scream, a desperate cry towards unjust torture. It's exceptional. (Watch)

44. "I'm glad he's single because I'm going to climb that like a tree."

Bridesmaids (2011)Bridesmaids is vital for a lot of causes, but for our purposes right here, we are going to focus on the truth that it unleashed absolutely the comedic satisfaction of Melissa McCarthy upon the arena as Dougie's (Tim Heidecker) doofus-with-a-heart-of-gold sister, Megan. In the primary scene we are introduced to her, we get a lot from Megan, oversharing with Kristen Wiig's Annie about getting pins in her leg after falling off a cruise send and mistaking the extremely tall Hugh Dane smoking a pipe and carrying a newsboy cap for Annie's "fella," which is once we get this gem of unfiltered libido. (Watch)

43. "Are you watching closely?"

The Prestige (2006)The complete point of magic tricks is to deceive. That's why they're called TRICKS, and that is the reason what makes the twisty-turny storytelling of Christopher Nolan's The Prestige so riveting, despite the fact that you already know what occurs. Part of doing magic is making the target audience think the trick is happening over right here, whilst in fact making anything else occur over there. "Are you watching closely?" is the catchphrase of Alfred Borden (Christian Bale), one of the most rival magicians warring for energy in the movie, and he uses that phrase to misdirect the target market's consideration. When you might be gazing the ball in one hand, you're no longer specializing in what he is doing with the other, which is what makes the trick paintings after all. (Watch) 

42. "Dear 8-pound, 6-ounce newborn infant Jesus..."

Talladega Nights: The Ballad of Ricky Bobby (2006)To at the moment, we as a tradition are nonetheless dipping into the quotable comedy behemoth that is Adam McKay and Will Ferrell's Talladega Nights, but the unmarried scene that's mined the most is Ferrell's Ricky Bobby delivering a rambling relations prayer over a dinner of Dominos, KFC, and "the always delicious" Taco Bell. After giving thanks for his wife's 94/One hundred ass, his two sons, Walker and Texas Ranger, his best friend Cal (John C. Reilly) -- *fistbump* "shake and bake" -- and his spouse's father with an open leg wound that smells dangerous, the dinner desk conversation turns to how other people envision Jesus when they pray to him. Ricky Bobby prefers the Christmas Jesus, and thus: "Dear 8-pound, 6-ounce newborn infant Jesus, don't even know a word yet... just a lil infant... so cuddly, but still omnipotent. We just thank for you all the races I've won and the .2 million -- Woo! Love that money! -- that I have accrued over this season. Also, due to a binding endorsement contract that stipulates I mention Powerade at each grace, I just want to say that Powerade is delicious and it cools you off on a hot summer day and we look forward to Powerade's release of Mystic Mountain Blueberry. Thank you for all your power and grace, dear baby God. Amen." (Watch)

41. "Man, fuck Jesse Jackson!"

Barbershop (2002)The Barbershop franchise is all talk. For over a decade, the collection, which spawned two sequels, a by-product starring Queen Latifah, and a short-lived Showtime comedy, chronicled the bustling job and nonstop banter inside of a Chicago hair-cutting status quo owned by Ice Cube's Calvin Palmer Jr. But Calvin regularly ceded the floor to Cedric The Entertainer's Eddie, a gray-haired, glasses-wearing barber with reviews on just about the whole thing. In a pre-social-media world, Eddie's provocative comments in the film, which integrated takes like "Fuck Jesse Jackson," "O.J. did it," and "Rosa Parks ain't do nothin' but sit her black ass down," controlled to generate newspaper headlines, strongly worded letters to the studio, and even threats of a boycott from Reverend Al Sharpton. It's challenging to consider many different comedies the place the discussion actually spilled out into the actual global to this extent, prompting Jackson himself to force the studio to remove the offending lines about Civil Rights icons from the DVD. What's noteworthy about the real scene is that just about everybody else in the store at the time is already condemning Eddie's remarks, grumbling and booing within the background, and the Jackson line will get the largest groans of all, showing "straight talk" like Eddie's always comes with a powerful response. (Watch)

40. "Would it be all right if I showed the children the whoring bed?"

Nymphomaniac Part I (2014)Danish bad-boy director Lars von Trier isn't for everybody, and his two-part intercourse addiction epic Nymphomaniac is without a doubt now not for everybody, but for those who dig his t-t-t-tWiStEd filmography, Nymphomaniac Part I comprises the only greatest, maximum strange, most shocking line studying of all his movies. It happens when Mrs. H (Uma Thurman, god tier) makes a decision to bring herself and her children to visit her untrue husband and the younger woman (the film's protagonist, performed here via Stacy Martin) he is sleeping with, touring around her condo and commenting on all of her possessions. The complete workout is designed to turn her husband how his infidelity has ruined the lives of his kin -- an especially, extraordinarily, painfully awkward setup for a scene -- and when she finally will get to the "whoring bed" line, all your mind will just be full of exclamation issues and not anything else. (Watch)Fox Searchlight Pictures

39. "I was perfect."

Black Swan (2010)Few could have predicted that Darren Aronofsky's psychological ballet mystery would clean up at the box workplace, but damn did it ever, raking in 9 million against a budget of $Thirteen million. Much of its popularity comes down to the chemistry (and the much-hyped intercourse scene) between Mila Kunis and Natalie Portman, with Portman specifically turning in a crazed, obsessive performance as Nina, a ballerina dropping her grip on actuality as she struggles to embrace the Black and White Swan in Swan Lake. Aronofsky's motion pictures in most cases show his eye for an dazzling ultimate shot (The Wrestler or Requiem for a Dream, as an example), but there is no higher strategy to end a movie about the dangers of perfectionism than with Portman's Nina bleeding, having a look into the lighting, and announcing for once: "I was perfect." She's already speaking in the past irritating, however that momentary feeling is all she's ever wanted. (Watch)

38. "That's a bingo."

Inglourious Basterds (2009)Christoph Waltz's world starmaking flip as Colonel Hans Landa, an SS officer working in Nazi-occupied France, lets in him to put on his weasely, morally bankrupt allure right through Quentin Tarantino's Inglourious Basterds, however he lands in this gem proper this present day World War II can also be received by means of the Allies. While virtually all of Waltz's screen time options zingers delivered in three languages, that is the line that reveals how in point of fact empty his soul is: He's smart, and has no judgment of right and wrong. As he presents his offer to Brad Pitt's Aldo Raine and B.J. Novak's Smithson Utivich, the without end cheery colonel tries his hand at an American expression. The result is a malapropism that belies the utter seriousness of the moment, and is right away memorable; the warfare will be over that night, however Landa luckily practices his American English as he preps a clear exit for himself. Even though Aldo corrects him, Landa's model is what lives on from Inglourious Basterds. (Watch)

37. "Why are you wearing that stupid man suit?"

Donnie Darko (2001)Richard Kelly's dorm-room-poster of a movie, full of stoner-logic time-travel shenanigans and sufficient adolescent angst to fill a heated LiveJournal access, has a handful of traces that pop off the display screen: "I'm voting for Dukakis;" "Smurfette doesn't fuck;" and "Sometimes I doubt your commitment to Sparkle Motion" were all named as conceivable candidates for this listing. Kelly's ear for teenage vulgarity and suburban absurdity remains the movie's secret weapon, the aspect that helps to keep it from devolving into overwrought science-fiction mumbo-jumbo and messianic self-pity. (His much less widely celebrated follow-up, Southland Tales, has a handful of memorable smart-ass one-liners too.) But the "stupid man suit" query posed via Frank the Rabbit to Jake Gyllenhaal's moody hero Donnie all over a Halloween screening of Evil Dead boils down the film's cult attraction right into a unmarried utterance. Genre motion pictures are always attempting to peel again layers of actuality, pushing on the boundaries of awareness and the boundaries of the frame, and Frank, menacing and ridiculous in his voice-modulating bunny go well with, was once a fitting spokesman for the "whoa"-seeking philosophy Kelly was peddling. (Watch)

36. "I know that babies taste the best."

Snowpiercer (2013)This one calls for a spoiler alert. When Chris Evans, face dirtied, utters this line in Bong Joon-ho's Snowpiercer, a mystery about a category rebellion on a train containing the last of civilization circling the globe, it's a overall surprise. Evans' hero, Curtis, has fought his manner thru lots of the train sooner than he makes the confession that, in the early days of this apocalypse, the poorest electorate were deprived of food and resorted to dining one another. Curtis is a tortured soul because he knows what people taste like, and, by extension, he knows that "babies taste best." The admission is dramatic and absurdist suddenly, completely capturing the atypical tone of Bong's movie, which is each gritty and lines Tilda Swinton in pretend teeth. (Watch)

35. "Honey? Where's my super suit?"

The Incredibles (2004)It's unlikely that Brad Bird and his cohorts knew that this was the one scene from The Incredibles that would go down in historical past as one of the best, funniest movie scenes of all time. It's most commonly thanks to Samuel L. Jackson, who plays icy superhero Frozone, and Pixar employee Kimberly Adair Clark as his wife, who, within the movies, all the time appears as a voice. The two bicker about Frozone's lacking swimsuit, his wife telling him that, no, he should not cross off and save the city from a large rampaging robot because they have got a date deliberate. The scene has impressed many covers and cursed remixes, however most likely the best factor it gave us used to be an fast knee-jerk reaction any time any person within the room says "HONEYYYYY?" All collectively now: WHERE. IS. MY. SUPER. SUIT. (Watch)Paramount Pictures

34. "What is this? A center for ants?"

Zoolander (2001)It's tricky to overstate the influence Zoolander has had on comedy within the twenty first century. The absurd concept, the over-the-top characters, the jam-packed script of lines designed to be repeated for months and years after audiences go away the theater. Plenty of quotes have taken up place of abode in standard pop-culture references: "Really, really, really, ridiculously good-looking," "So hot right now," "I think I'm getting the black lung, Pop," "Moisture is the essence of wetness," and many others., and countless others. But probably the most iconic of all comes when Mugatu (Will Ferrell) finds a scale fashion of the Derek Zoolander Center for Kids Who Can't Read Good and Who Wanna Learn to Do Other Stuff Good Too. Zoolander (Ben Stiller) is outraged, and his timing on this scene -- destroying the model, standing expectantly, then asking his rhetorical line -- makes the quote stand out. More than Blue Steel or Magnum, the "center for ants" quote defines Derek Zoolander… and numerous others seeking to be just as funny upon encountering a small-scale fashion of a giant object. (Watch)

33. "Meet me in Montauk."

Eternal Sunshine of the Spotless Mind (2004)Whispered via Kate Winslet's Clementine in the midst of a collapsing space and a disappearing reminiscence, "Meet me in Montauk" is a last-ditch rescue strive, a verbal Hail Mary tossed into the void prior to the clock runs out. Of the entire clever discussion in Charlie Kaufman's Oscar-winning script, which he penned right through a wildly productive burst of creativity within the early '00s, it's this earnest request that hits house the hardest, evoking a dream of a shared life and an opportunity at romantic redemption. Even in any case the ache and heartbreak, you still need to see Clementine and Joel find each other and get some other shot at reconstructing their relationship. Eternal Sunshine of the Spotless Mind understands that basic yearning for hope and connection. Unsurprisingly, the road has inspired enthusiasts to journey to Montauk itself for trips and particular screenings -- possibly discovering their own fractured love tales alongside the way in which. (Watch)

32. "It's the fucking Catalina Wine Mixer."

Step Brothers (2008)Like the former Adam McKay and Will Ferrell collaborations Anchorman and Talladega Nights, Step Brothers is a movie filled with incredibly humorous strains, however this time the 2 writers have been freed up through the film's R-rating to chase some of their most extraordinary, vulgar ideas. (That's a part of why the famous however squeaky-clean trailer line "Did we just become best friends?" didn't feel like the appropriate select right here.) How did "the biggest helicopter leasing event in the Western hemisphere since 1997" come to imply so much to the film's enthusiasts? "It's the fucking Catalina Wine Mixer," is said by both Adam Scott's super-slimy jerk Derek and Richard Jenkins's dinosaur-loving patriarch Robert after John C. Reilly and Will Ferrell save the day with their ridiculous musical performance on the match. In the years following the film's release, the line has turn out to be a celebratory shorthand and some way of life: The New Orleans Saints said it within the locker room once they won the Super Bowl in 2010, and additionally it is now a genuine event you can attend in California. As you'll imagine, McKay has expressed some ambivalence about the phenomenon, saying in a contemporary interview, "When you see the people who you're kind of making fun of embrace it, it's both hilarious, and at the same time, dispiriting." So, if you happen to see the man on the street, maybe do not yell it at him. (Watch)

31. "Rock stars have kidnapped my son!"

Almost Famous (2000)Cameron Crowe's semi-autobiographical screenplay about a 15-year-old creator embedded with emerging stars within the heyday of '70s rock is mainly a sacred text for more than a few groups: Journalists, musicians, and the proverbial "uncool." You may pick out a second of quintessential rock douchebaggery: Russell Hammond, excessive on acid and about to jump off a roof, proclaiming, "I am a golden god." Or Lester Bangs' career advice: "You cannot make friends of the rock stars." But we're going with a curveball. Frances McDormand's performance as William Miller's exasperated mom is borderline underrated given that it's perhaps the least glamorous of all the film. But all you wish to have to do is watch her forestall a lecture to declare, "Rock stars have kidnapped my son," to peer what power she has. It's now not Crowe's most poetic line, however it is one in all his funniest. (Watch)

30. "Not quite my tempo."

Whiplash (2014)J.K. Simmons' ruthless jazz conductor Terence Fletcher seethes variations of "not my tempo" right through Whiplash, however the scene where he grills Miles Teller's first-year drummer Andrew Neiman if he is speeding or dragging at the back of the equipment whilst rehearsing the title track, "Whiplash," is the film's maximum iconic instance. Anyone who is played at school bands can relate on some level to Fletcher's sociopathic motivational tactics designed to frighten his conservatory kids into nailing their repertoire -- a drummer pal who put himself thru tune faculty and now teaches lessons relayed a story about a professor who would notoriously curse out freshman who confirmed up to practice session unprepared. Watching Simmons embody one of those forms of band leaders is each exhilarating and frightening. Am I guffawing because this scene is funny, or am I guffawing as a result of I'm scared?? Either approach, it is efficient. (Watch) 

29. "Wilsoooooooon!"

Cast Away (2000)For a very long time, any beach-, summer-, or water-related process was likely punctuated together with your loudest friend shouting, "Wilson!" The still-recognizable bit from Robert Zemeckis' Cast Away is the survival epic's maximum unforgettable scene: the gradual disappearance of Chuck Noland's (Tom Hanks) sole buddy, a volleyball named Wilson. Largely as a result of he is a volleyball with a bloody handprint for a face, the scene and Hanks' dramatic pleas was straight away memorable… and, for higher or worse, the subject of many spoofs, despite the film's important acclaim. In context, although, it gets on the uncooked emotion of the human need for companionship, one of the most very important drives that makes us human. Hanks strikes from desperation and sorrow to sheer guilt ("I'm sorry, Wilson!") and grief, which is a part of what helped garner Hanks a Best Actor nomination at the 2001 Academy Awards. It may be just a funny line on reflection, but no one else can emote over a volleyball like Hanks. Wilson's dying is going down in one in all cinema's maximum tragic, and we mourn him just the same. (Watch) 

28. "Now you're in the sunken place."

Get Out (2017)"Yo, this is iconic," director and Oscar-winning screenwriter Jordan Peele instructed Daniel Kaluuya sooner than taking pictures the scene in Get Out where Catherine Keener's eerie hypnotist Missy sends Kaluuya's Chris to the sunken place. Peele was once completely proper: It's greater than the line Missy says to Chris as his consciousness sinks further away from his paralyzed body. Much like the movie itself, it is a metaphor about race dynamics in America and representation in horror movies that's been picked aside (and memed) many times over. Chris's total lack of company by the hands of a malicious white lady is a transparent analog to the systems of oppression that experience existed in this nation since without end. It's far from the primary dissection of this insidious societal mechanism on film -- however it is certainly the scariest, maximum jarring depiction we will be able to recall to mind. (Watch)

27. "Why so serious?"

The Dark Knight (2008)Heath Ledger's Joker is indubitably the most chilling superhero villain ever put at the silver display, and most of his risk comes from his lack of backstory, motivation, or anything that most often humanizes a villain simply sufficient to impart a smidgen of empathy at the audience. The Joker, against this, is a complete clean, delighting in making up tales about his horrific facial scars. The maximum memorable, whispered to a bunch of gangsters in a pool corridor, comes to his drunkard father carving up his face with a kitchen knife, laughing whilst repeating to him, "Why so serious?" It changed into a needling catchphrase of varieties, emblazoned on bumper stickers and Hot Topic T-shirts, the Joker repeatedly checking out how some distance people will cross to save lots of themselves. Why so severe, when bringing out the worst in humanity can also be so hilarious? (Watch) 

26. "Difficult difficult lemon difficult."

In the Loop (2009)Before Armando Iannucci was once scripting one of the most splendidly merciless dialogue on television for his Veep, he made In the Loop, a film by-product of his British collection The Thick of It, starring Peter Capaldi as the gloriously profane director of communications Malcolm Tucker. Like Veep, In the Loop is excited by cogs in the political wheels of each Britain and America. At one level, the hapless Secretary of State for International Development Simon Foster (Tom Hollander) will get himself an invite to the Future Planning committee in Washington and encourages his underling Toby Wright (Chris Addison) to leave the room and gather knowledge. "It'll be easy peasy lemon squeezy," Simon says. To which Toby responds: "No, it won't, it will be 'difficult difficult lemon difficult.'" The nonsensical phrase "difficult difficult lemon difficult" took off online (where other people have a love for nonsensical phrases), continuing on its 2nd life as a great expression of exasperation unbiased of the movie. (Watch)

25. "I won't say it for Little Baby Ears over there, but it rhymes with 'smushmortion.'"

Knocked Up (2007)In a far earlier period of blogging -- 2007! -- the "smushbortion" line delivered via Jonah Hill while Seth Rogen's Ben rips a bong throughout Knocked Up was a study in primitive backlash virality, the web's unique superpower. It used to be picked apart by way of writers on websites like The Atlantic, Slate, and The Guardian. "The a-word," as Jay Baruchel calls it, was successfully banned from Judd Apatow's second primary directorial blockbuster from the mid-2000s, and critics read into that: Is Apatow a pro-life filmmaker? Probably no longer, if his present politics are any indication of his past. Back in pre-woke popular culture, it was just a satirical scene the place an adult friend crew of immature directly white dudes try, without suitable language or knowledgeable politics, to speak about what to do when your bro knocks up a woman, thus begetting a hilariously backwards and silly dialog. (Watch) Marvel Studios

24. "Is this your king?"

Black Panther (2018)"Wakanda Forever" is Black Panther's catchphrase, but "Is this your king?" is its crowning moment. Among the myriad causes that Black Panther stood aside within the crowded superhero field was once the characterization of its villain, Michael B. Jordan's Erik Killmonger. Killmonger is not any one-dimensional bad man. He's a person full of justifiable resentment, who calls Wakanda out for its isolationist stance that allows black electorate of different international locations like the US to suffer. So when he defeats T'Challa (Chadwick Boseman) in fight and shouts, "Is this your king?" at the stunned crowd, it is truthful to have true doubts about the ostensible hero. "Is this your king?" is easily slotted into any selection of memes, however its staying power is the result of Killmonger's standing as one of the vital best antagonists to grace the display screen in recent times. (Watch)

23. "If you're a bird, I'm a bird."

The Notebook (2004)You'd be hard-pressed to discover a cheesier, extra pandering love tale than The Notebook, in accordance with the Nicholas Sparks novel of the same identify, but simply try to watch Rachel McAdams and Ryan Gosling fall in love without the icy protective shell round your coronary heart melting just a little bit. It's the movie that created the "Hey Girl" Gosling symbol years prior to there was a "Hey Girl" meme. It gave enthusiasts a real-life Gosling-McAdams courting. Like Love Actually, it gave couples strains to say to each other when their very own emotions let them down. As McAdams and Gosling play and tease each and every different within the water, talking about reincarnation and feeling the exhilarating intoxication of recent love, you just crave that killer romantic line that will make the whole thing right in the world. Allie (McAdams) demands Noah (Gosling) call him a chook; Noah obliges. Everyone swoons, and Gosling enters film quote history. (Watch)

22. "I am Shiva, the god of death."

Michael Clayton (2007)Charting the machinations of a high-powered regulation company fixer occupied with an enormous agrochemical cover-up, Michael Clayton is about as intense as thrillers come -- however no scene is as intense as Clayton's conversation with one in all his company's legal professionals (Tom Wilkinson) who is in the middle of a psychological breakdown, having learned that he is helped to engineer mentioned cover-up, which has uncovered people to recognized carcinogens. Wilkinson's Arthur Eden, who is recognized to have manic episodes, rejects Clayton's pleas to start taking his drugs once more, and as a substitute paces the floor and confessing his guilt. The scene peaks with appropriate self-aggrandizement when Arthur compares himself to the Hindu god of destruction, given what number of blameless people he's allowed to die. (Watch) 

21. "I'm gonna steal the Declaration of Independence."

National Treasure (2004)Benjamin Franklin Gates has the best admire for our historical institutions, which is why it is so tricky for him to believe ever committing a crime in one in every of them. After an extended, inspiring speech about having the responsibility to take action when you know you wish to have to do anything proper, Nicolas Cage proclaims one of the most famous lines in movie history. It's an ideal scene, charting a personality's decision to do anything he knows is wrong for the pursuit of what's right… and it is usually a hilariously melodramatic line in a very amusing, exciting movie in line with a atypical thought. Since the movie opened, this line has been memed over and over, so relentlessly that it reappeared once more in National Treasure 2: "I'm going to kidnap the President of the United States." Sometimes, you gotta do what needs to be finished. Sometimes, you gotta steal the Declaration of Independence. (Watch)

20. "You shall not pass!"

The Lord of the Rings: The Fellowship of the Ring (2001)Ian McKellen changed into a badass in old age thanks to his roles as each Magneto in the X-Men franchise and Gandalf the Grey/White in the Lord of the Rings trilogy. In the latter, he is continuously defying expectations: His Gandalf is alternately goofy, sly, and terrifying. But when he faces off against the Balrog in The Fellowship of the Ring, he's simply absurdly cool. "You shall not pass" is a feat of delivery, as it's McKellen's booming voice that makes a stand towards the creature greater than anything else. Listening to him, the room shakes. (Watch)

19. "If anyone orders merlot, I'm leaving. I am not drinking any fucking merlot!"

Sideways (2004)"The Sideways Effect" is genuine: After the 2004 movie came out, through which Paul Giamatti's wine snobby writer Miles Raymond famously loves pinot noirs and infamously hates merlots as a result of his ex-wife drank them, the gross sales for each wine skyrocketed and plummeted, respectively. (For better or worse, merlot is again on the uptick.) There's a transparent line from the hearty purple's decline to a selected scene between Miles and his gross friend Jack earlier than they head into the most important dinner. Jack asks Miles to behave himself, and drink the merlot if their visitors order it, to which Giamatti cannot include himself in nice judgment of right and wrong: "If anyone orders merlot, I'm leaving. I am NOT DRINKING any FUCKING merlot!" "You know, it was just a joke," director Alexander Payne advised USA Today at the movie's 10th anniversary about Miles' outburst. "But it sort of became the equivalent of 1934's It Happened One Night, when Clark Gable removed his shirt to reveal no undershirt. Reportedly sales of undershirts plummeted. I never would have predicted this film would hit the zeitgeist." (Watch)

18. "But what I do have are a very particular set of skills, skills I have acquired over a very long career, skills that make me a nightmare for people like you."

Taken (2008)We printed an homage to the speech containing this quote, so in all probability you should peruse that for full context -- including how it is usually misquoted -- and appreciation. Suffice to say that this phone speech effectively launched Liam Neeson's second profession as an older action big name (and, someway, several iterations of Taken), and made "a very particular set of skills" one of the most oft-quoted words of the century. (Watch)Columbia Pictures

17. "Look at me. Look at me. I am the captain now."

Captain Phillips (2013)It's the soft risk and iron-hard gaze of Barkhad Abdi (then in his first-ever movie position) that gives one in all his opening traces its simple terror. After hijacking the merchant mariner Maersk Alabama, he holds its captain, performed by means of Tom Hanks, at gunpoint, explaining the situation in the most simple conceivable phrases. He's the captain now. That's it. The scene has, naturally, been memed such a lot that now all you in reality must do is put up the screenshot of Abdi's face without a text, and everyone in that Twitter thread explaining why letting your cats roam outdoor is a foul concept will know that you can take it from here, thanks. In a show of newbie genius, Abdi ad-libbed this line within the second, using the pirate instincts of his persona to clutch control of the scene. (Watch)

16. "Baby, you are gonna miss that plane."

Before Sunset (2004)It's uncommon to search out a lovely piece of debate in 2019 that has not been co-opted into some form of meme, but the line that just about closes out the middle part of Richard Linklater, Ethan Hawke, and Julie Delpy's trilogy about two overly articulate folks falling for one another defies that tendency. It is, somewhat simply, a super and devastatingly sexy way to end a film, evoking classic moments like Shirley MacLaine's "shut up and deal" from The Apartment. Hawke's Jesse and Delpy's Céline have spent a paranormal day in Paris arguing and flirting with one any other after they arrive back at her condominium and he or she places on Nina Simone. He's meant to go back to America to be with his spouse and kid, however as a substitute settles in and watches her dance. She seems at him, doing a quasi-impression of Simone: "Baby, you are going to miss that plane," she coos. "I know," he says. They chuckle because the scene fades to black, their destiny, for now, unknown. While all of the Before movies are scripted in a joint effort by way of Hawke, Delpy, and Linklater, Delpy takes credit score for this specific second. "Without telling them I kind of acted out the scene," she mentioned in an interview. "I knew Richard would like it. And Ethan, too. And they did." (Watch)

15. "My wife!"

Borat (2006)The thing about the "My wife!" quote as it's now repeated -- very loudly, pronounced in an unidentifiable regional inflection to turn it into a nasally "Mah wahhhf!" -- is that Sacha Baron Cohen never says it in Borat the way the general public says it. He does, technically, utter the phrases "my wife" a number of instances in his pretend Kazakhstani accessory, but for those who'd only heard the repetitions of it earlier than seeing the film, you'd think he shouted it at the coastline in his unconventional lime green bathing garment. Such is the facility of Borat's various references to his wife, which have transcended both the film and Da Ali G Show to continue influencing pop culture in 2019. Even The New Yorker not too long ago published an entire column about the evolution of the term in a web-based context, and how the spouse as an idea has develop into inherently humorous. The piece begins by means of pointing to Borat as a possible foundation. It does not get much more influential than that, and barring any irreconcilable differences, we are certain to "My wife!" for the foreseeable long run. (Watch)

14. "Are you not entertained?"

Gladiator (2000)After contemptuously taking away a gang of burly opponents with a couple of swings of his sword, gladiator Maximus Decimus Meridius (Russell Crowe), a Spanish general enslaved following the betrayal of the evil Commodus against his kinfolk and his emperor, lobs a blade into the stands. "Are you not entertained?" he shouts into the group when they scream at the hint of genuine danger. "Is this not why you are here?" His brazen disrespect for authority and skill within the ring cause him to turn out to be, of all things, a favourite of the people, leading him in spite of everything to Rome and the potential for revenge. "Spaniard," all of them chant, as he spits at the flooring and strides away. Quoting Gladiator briefly was a pop-cultural signifier of annoyingness, however over the course of the following two decades, "Are you not entertained?" advanced into an enduringly humorous meme. (Watch)

13. "You sit on a throne of lies."

Elf (2003)Buddy the Elf is a righteous man-child. During his travels to New York over the process Elf, the Christmas comedy that turned Will Ferrell into a family-friendly movie megastar, he reserves his scorn, his judgment, and his condemnation for those who lack the right kind reverence for vacation cheer. When he sees a "fake" Santa on the mall, played with the best level of roughness by way of comedian Artie Lange, Buddy cannot help however name out the counterfeit Kris Kringle with strains like "you disgust me," "you stink," and "how can you live with yourself?" But "you sit on a throne of lies" is the person who's lingered in the public awareness, turning into a well-liked audio clip on the web site YTMND (see #57) and becoming a meme you can use to accuse any offender of taking part in fast and loose with the truth. When the word is invoked, you are no longer just calling any individual a liar; you're announcing they have got constructed a self-serving energy construction based totally round total deception. In his role as Yuletide ombudsman, Buddy spoke truth to power. (Watch)

12. "Wouldst thou like to live deliciously?"

The VVitch (2016)Robert Eggers' debut characteristic plunged its target market into the paranoia of seventeenth century New England through the use of actual language from that length. The script is stuffed with antiquated phraseology that during turn makes the story of a relations torn aside by suspicion and actual witchery all the more terrifying. But no word is more giddily unnerving than Black Phillip's be offering to the teen Thomasin because the film approaches its conclusion. The remainder of her kin has been ripped aside via the malevolent drive pervading the woods, and she or he, bloodied, begins to commune with the Satanic goat. In a low voice he asks, "Wouldst thou like to live deliciously?" It's so easy and tempting, identical to the devil himself. Thomasin is able to give herself over. (Watch)Metro-Goldwyn-Mayer

11. "Exercise gives you endorphins. Endorphins make you happy. Happy people just don't shoot their husbands, they just don't."

Legally Blonde (2001)Something other folks disregard: Before Legally Blonde was 2001's film of the summer time and everybody used to be bending and snapping, there was once a manuscript floating around, written via Stanford Law dropout Amanda Brown, about a stereotypical blonde from LA getting into the cutthroat international of Stanford Law School to get her boyfriend again. Screenwriting partners Karen McCullah and Kirsten "Kiwi" Smith, the duo accountable for the ten Things I Hate About You script and the 2020 sequel Legally Blonde 3, took the unconventional, subbing within the cold east coast Harvard Law for Stanford to up the fish-out-of-water juxtaposition, and blew up its premise into an early aughts cultural touchpoint. The opening track used to be far and wide, and for sure demographics -- i.e. youngster women -- you couldn't have a conversation with out shedding a quote from the film, which is indeed extraordinarily quotable. Reese Witherspoon's Elle Woods has many of the best traces, but none surpasses her defense of alleged husband assassin Brooke Taylor Windham, delivered in the first meeting of her law internship. Between Witherspoon's very best supply, her "aw, shucks" facial contortions, and the context of her speaking up about a case that turns out cut-and-dried to everybody else, the "happy people don't kill their husbands" line perfectly sums up Elle Woods: unafraid and unapologetically herself in any scenario, combined with an intuitive figuring out of the regulation. (Watch)

10. "You're tearing me apart, Lisa!"

The Room (2003)No piece of outsider artwork has had a bigger affect on movie than Tommy Wiseau's masterpiece, which started as the fever dream of an difficult to understand, fame-obsessed, inexplicably wealthy European of uncertain provenance and changed into the Rocky Horror Picture Show of the 21st century. No one will inform you the script is great, but in its whole lack of regard for narrative structure, commonplace sense, and how people have interaction, it achieves a brilliance that continues to draw audiences to theaters, footballs in tow. Just take a look at the few traces of dialogue surrounding Wiseau-as-Johnny's most famed line, which is cribbed from James Dean's Rebel Without a Cause:

JOHNNY: Why Lisa, why Lisa? Please talk to me, please! You're part of my life, you might be the whole thing, I may just not cross on without you, Lisa.

LISA: You're scaring me. [Stands up.]

JOHNNY: You're mendacity, I by no means hit you. You are tearing me aside, Lisa!

LISA: Why are you so hysterical?

JOHNNY: Do you understand life? Do you?

LISA: [Walking away] Don't fear about it. Everything will probably be alright.

One factor's for sure: Neither Lisa nor Johnny understands life, but of their lack of awareness they have came across an everlasting reality. (Watch)

9. "I'm a fiend for mojitos."

Miami Vice (2006)The hardened profession criminals and weary regulation enforcement officers of director Michael Mann's epic crime sagas ceaselessly speak in clipped, coded language that finds character thru small main points. Think of James Caan stating "I was state-raised and this is a dead place" to a snooty administrator at an adoption agency in 1981's Thief. Think of Robert De Niro sneering, "You must've worked some dipshit crews" to Al Pacino across the dinner desk in 1995's Heat. Mann's work in the final 19 years is stuffed with similar bits of verbal firepower -- "Yo homie, is that my briefcase?" from 2004's hitman neo-noir Collateral nearly made this list -- but no quote has the same sleazy-yet-suave quality as a greasy-haired Colin Farrell telling Gong Li, "I'm a fiend for mojitos" in 2006's Miami Vice, a phenomenal virtual blur of a film that is solely change into extra celebrated since its launch. What's so special about this rather difficult to understand line? In its mix of tough-guy swagger and unapologetic cheese, it completely crystalizes the appeal of this ultra-tense, visually putting remake of the '80s television series. Maybe you snicker. Maybe you shake your head. Maybe you nod in popularity. No subject what, you recognize Sonny Crockett is a fiend for mojitos. (Watch)DreamWorks Pictures

8. "Boy, that escalated quickly."

Anchorman: The Legend of Ron Burgundy (2004)Will Ferrell was once already a star by 2004, but his movie roles to that time had most commonly been secondary characters, a la Old School's Frank the Tank. Between Elf and Anchorman, Ferrell shot to superstardom, and Ron Burgundy turned into the legend the full name of the movie promised because of a string of one-liners and quotes that have been smartly worn within the 15 years since its launch. There's "60% of the time, it works every time." There's "I'm in a glass case of emotion!" There's "I love scotch. Scotchy scotch scotch." There's "Milk was a bad choice!" There's "I'm kind of a big deal." And so many extra. While many of those quotes made their means into on a regular basis speech, probably the most universally acceptable -- and the one who was a meme round 2012 -- comes proper after the large fight between all the rival news groups, a battle that ratchets up from knives and threats to tridents and dying very, well, quickly. It's the type of quote that may practice to any state of affairs that spirals out of regulate: A night out ingesting, a piece meeting, a relations reunion, a Twitter exchange. In a global that changes constantly and continues to increase the velocity of our lives, "Boy, that escalated quickly" has solely turn out to be more relevant, if kinda hectic, over the years. (Watch)

7. "King Kong ain't got shit on me!"

Training Day (2001)Is there the rest better than observing Denzel Washington go off? After a career taking part in nice guys, Denzel broke unhealthy and found that enjoying a crooked cop suited him in addition to playing a civil rights chief, a legal professional, or an officer within the army. It suited him so well, in truth, that his most renowned line, which comes in a crazed speech as the paper-thin empire Washington's Alonzo has built crumbles round him, used to be an improvisation made up on the spot. In an interview from 2001, Washington mentioned, "Almost that whole last scene where I'm screaming at everybody, I made it up... [Director] Antoine [Fuqua] encouraged me. He said, 'Man, some of this stuff you make up is the best stuff.' So, we would just flow with it. Like when I came up with that 'King Kong' line, I don't know where that came from. I was just riffing. I just think it was his ego." Like so many great film quotes in historical past, a flash of genius enters this one into the canon, and it earned Washington a Best Actor Oscar along the best way. Hey, if you make up one of the most century's best movie quotes within the warmth of the moment, it is the least the Academy can do for you. (Watch)

6. "I live my life a quarter mile at a time."

The Fast and the Furious (2001)It's simple to omit that the Fast and the Furious collection, the box-office dominating behemoth that's spawned seven sequels and a by-product coming this summer season, was according to an article about underground boulevard racing in Vibe mag. The Rob Cohen-directed original was once built around a cast of rather unknown younger actors, featured a plot that used to be widely observed as a Point Break ripoff, and swiped its name from a Roger Corman B-movie from 1955. These movies had a humble starting, and there used to be no grand plan. You would possibly even say the collection has lived its life a quarter mile at a time -- similar to Dom Toretto, the racing guru and relatives leader performed by the guts and soul of the franchise, Vin Diesel. Nearly two decades later, it is difficult to remember that the actual monologue that this bumper-sticker-ready, live-life-to-the-fullest quote comes from is amazingly bleak: Dom tells Paul Walker's blonde-haired undercover FBI agent Brian O'Conner a haunting tale about how he "watched his dad burn to death" in a racing accident and remembers "hearing him scream." If that wasn't heavy sufficient, Toretto then says he nearly beat the man who brought about his father's crash to death with a wrench. Dom's "quarter mile at a time" philosophy is not a hedonistic creed or an inspirational TED Talk-ready bromide. It's an acknowledgment of the death force by a damaged man. (Watch)

5. "A million dollars isn't cool. You know what's cool?"

The Social Network (2010)It's virtually demanding to overstate what a small miracle The Social Network script is. Aaron Sorkin and David Fincher became the tale of Facebook's invention into a thrilling drama filled with vindictive 6'5" twins and vengeful nerds. To do this, Sorkin perhaps embellished a bit. Take, for instance, this quote, which is one of many we could have included, but is the bit that most embodies this snappy depiction of greed during the internet boom. It's often misquoted. In the choral "Creep" trailer, Justin Timberlake as Sean Parker says it in full: "1,000,000 dollars isn't cool. You know what's cool? One thousand million bucks." But Timberlake's Sean never actually says "one thousand million bucks." Eduardo Saverin (Andrew Garfield) does, fed up with the bullshit the Napster founder is feeding Mark Zuckerberg (Jesse Eisenberg). The real Sean Parker did not like his characterization or this specific line of dialogue. “Being a countercultural revolutionary is cool," Parker informed the Financial Times. "So to the extent that you’ve made a billion dollars, you’ve probably become uncool.” Whether you're buying what the real life Parker is selling or not, at this point it almost feels like the smaller inaccuracies don't matter. The more Facebook's scandals pile up, the more it feels like Sorkin got to some internal truth about the company and the way it's run. So much so that the writer has publicly floated the idea of a sequel. (Watch)

4. "She does not even cross right here!"

Mean Girls (2004)Maybe you're whining, thinking that "Stop looking to make fetch occur" is the more iconic Mean Girls quote, but listen: if you "have numerous emotions," we have no time for you. Damian Leigh (Daniel Franzese) is the only one who will call out the random "Crying Girl" during the assembly in Mean Girls, when all the girls are tasked with writing apology notes to one another after Regina George's "Burn Book" goes public. It is, of course, extra funny that the entire time his towering frame is dressed in a giant light blue hoodie and dark sunglasses, as if those will disguise him in an all-girls assembly. Hey, he and Janis go everywhere together, where else was he supposed to be? Part of what makes this quote so funny is his nubby silhouette rising from the crowd of girls (perfect for screencapping and pasting on T-shirts and mugs and office desktop computers), then subtly covering his face with a graceful hand. (Watch)Focus Features

3. "I wish I knew methods to give up you."

Brokeback Mountain (2005)Heath Ledger hated the homophobic memes. "He was extremely severe about the political problems surrounding the movie when it got here out,” Jake Gyllenhaal advised Out for a tenth anniversary oral history of Ang Lee's romance classic. “Numerous occasions other folks would need to have amusing and shaggy dog story about it, and he used to be vehement about being serious, to the purpose the place he didn’t truly want to listen about the rest that was being made fun of." It makes sense: The mainstream "gay panic" humor of the '00s was so prevalent that The New York Times devoted a whole article to Brokeback parodies in 2006, highlighting the popular trailer mashups on "curatorial video websites -- together with, gorillamask.web, and" Clips with wink-wink, pun-y titles like "Brokeback to the Future" could go viral by suggesting that Doc Brown and Marty McFly were actually lovers, playing on viewer expectations with mildly clever editing and music cues, and treating lines from Lee's movie as punchlines.

But as the spoofs have faded from the collective memory, picking up dust in YouTube's digital vault, the film, along with its most famous scene, has only grown in power. While Ledger's performance was the most celebrated at the time, earning the heartthrob a Best Actor nomination while his co-star was relegated to the Supporting Actor category at the Oscars, Gyllenhaal is the one who delivers the heart-breaking line, which first appeared in the short story by Annie Proulx on which the film is based. In fact, the script by Diana Ossana and Larry McMurtry grabs most of Jack Twist's yearning monologue, delivered with the titular mountain in the background, from Proulx's text. His emotional confession reaches its conclusion with "I want I knew the way to quit you," an admission of unfulfilled desire and unspeakable anger that's so raw it can only be said while the two stoic, wounded cowboys are facing away from each other. In her story, Proulx ends the scene with a stark, tragic description: "Nothing ended, not anything begun, not anything resolved." (Watch)

2. "Florals? For spring? Groundbreaking."

The Devil Wears Prada (2006)Sometimes culture eats itself. The book The Devil Wears Prada was inspired by author Lauren Weisberger's time working at Vogue alongside the notorious editor Anna Wintour. In 2006, the film adaptation, written by Aline Brosh McKenna, hit the screens starring Meryl Streep as Miranda Priestly, the ice-cold Wintour stand-in. Now, Streep-as-Priestly is getting quoted in Wintour's publication. You see, Rita Ora can make "florals for spring" actually groundbreaking, according to at least one writer. McKenna -- best known for her work on Crazy Ex-Girlfriend -- told Thrillist that Miranda's slyly brutal takedown of a fashion cliché was not in the initial draft. "One of the thrill things about operating on this movie was once it used to be in order that a laugh to jot down the ones dry insults," she reminisced. "I in reality in truth may have completed that every one day." Miranda throws out many such remarks, but it's "Florals? For Spring?" that sticks. She drops it at a pitch meeting. No one is pleasing her and an eager underling mentions that a lot of designers are adding flower-themes into their collections. Miranda is having none of that hackneyed crap. Streep delivers the line with the straightest face that ever existed, a little cock of her head at the end to put a fine point on the evisceration she just enacted. The truth is: There will always be florals for spring, and they will never be groundbreaking. (Watch)Paramount Vantage/Miramax Films

1. "I drink your milkshake."

There Will Be Blood (2007)The fervor around "I drink your milkshake" was immediate following the release of Paul Thomas Anderson's oil man epic There Will Be Blood. It was almost instantly canonized, though it's not the actual kicker of the film: That would be Daniel Plainview's plaintive "I'm finished." But the milkshake line comes during the furious climax, featuring an unhinged, bellowing Daniel Day-Lewis spewing mind-blowing anger while facing off against Paul Dano's sniffling preacher Eli Sunday. Daniel, raging, lays waste to Eli, first verbally, then beats him to death with a bowling pin. It's early capitalism gone awry, cutthroat instincts turned deadly. After he says he'll drink Eli's milkshake, Daniel slurps viciously, a disgusting period on a memorable threat. Anderson admitted that he cribbed the "milkshake" line from congressional hearings on the Teapot Dome Scandal involving Edward Doheny, an oil tycoon who served as inspiration for Plainview and the Upton Sinclair novel on which Anderson was riffing. The story goes that New Mexico Senator Albert Fall, accused and ultimately convicted of taking bribes, said during the 1924 hearings, "Sir, you probably have a milkshake and I've a milkshake and my straw reaches around the room, I'll finally end up ingesting your milkshake." Anderson told USA Today at the time: "I just took this insane principle and used it."

Despite the line's current status, it wasn't a given that audiences would be on board for the analogy. The film's editor Dylan Tichenor recently told Vanity Fair: "The milkshake line -- I believe everyone cocked their head and laughed once they learn it, like, 'What?'" But it's the "what?" of it that makes it outstanding, combined with the specific historical weirdness. Anderson's writing has always been rooted in comedy even when the larger narrative is geared toward high tragedy. And, of course, it would be absolutely nothing without the full muscle of Day-Lewis skills behind it. Before There Will Be Blood, milkshakes were happily nostalgic treats. After, they were forever emblems of a man who has lost his mind. (Watch)

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Editors: Leanne Butkovic, Anthony SchneckWriters: Sadie Bell, Leanne Butkovic, Dan Jackson, Anthony Schneck, Emma Stefansky, Esther ZuckermanProduction: Sadie Bell, Paul Pierre-LouisDesign Director: Ted McGrathGraphic Designer: Frannie Jiranek

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